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I Wish The World Was a Paper Plane

In the summer of 2019, a group of youths from Syria, Turkey, England and Denmark meet up for a two-week theatre workshop in Antalya. Here, they are given the task of staging human rights in a collective performance. First, they must agree on how to interpret the rights, both artistically and politically – and then it suddenly makes a difference if you come from Syria or Denmark, even if you are not aware of it yourself. The director Camille Bildsøe observes with an attentive presence how ...